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	Search results for Image    Refine your search Creator 39 () 6 () 5 () 4 () 3 () Show more... results 181-200 of 276 item(s)  page 10 of 14 : ( <<  1  2  3  4  5  6  7  8  9  10  >> ) :: previous : next select all : clear all : add to favorites   Image: Title: Description: 181. [Bookplate for John Peter Braselmann] Pictorial bookplate created using black ink on white paper. The image portrays a scholar seated in front of a bookshelf, reading a large book. The border consists of open and closed books and two lit candles at the top right and left corners. 182. [Bookplate for John T. Metcalfe] In black ink, this bookplate consists of a monogram within an oval bordure, which contains the text and two solid cross formy. 183. [Bookplate for John William Griffin by Leslie Victor Smith] Black ink on white paper. Perforated edges with round corners surround the bookplate. The bookplate is surrounded by an incomplete border of two black lines that do not connect at the top. There are spaced out diamond shapes on the border with black circular centres. At the top, the border folds into triangles at the left and right corners. Each corner has a square flower with four petals and one leaf with a darker background. The border frames an image with a rounded pointed top. The image shows a desk with a window looking onto a moving steam engine. At the top of the image is a circle with a white border. In the centre on a gray background is a griffin rampant on a crest-wreath. The steam engine is outside the window in the centre of the bookplate with steam pouring out. The window has vertical and horizontal stripes with black circles at the intersections of the stripes. There is a curtain on either side of the window. Nothing sits on the window ledge, but on the desk in front is half of a lamp with a decorative, bell-shaped shade, eight books with different spine designs, an ink pot with a feather quill in it, and a workspace with several papers on it. Below the image is a black rectangle with capitalized white font. At the centre of the top and bottom of the rectangle is a slight downward facing point. Below the bottom point in black ink are the initials of the creator and the year of creation. 184. [Bookplate for Joseph Berreth and Michael B. Kunze] In black ink, an image of a knoll, on top of which are two leafless trees and a lamp centered between them. In the background is a cloud that frames the image. 185. [Bookplate for Joseph Bewley] This non-traditional heraldic bookplate consists of a tilted argent (silver) escutcheon with a sable (black) chevron. On the escutcheon are three bird heads, erased, two over one. Atop the shield is an unusually large helmet in profile, topped by a twig with leaves, a crest wreath, and a stag head, erased. From the helmet flows mantling. Above and below the image are banners containing the text. The image and banners are set upon a designed background and framed by a double border. 186. [Bookplate for Joseph Edgar Guimont by Chalifour Ltée Journal “Le Nord”] Blue ink on cream paper. Capitalized, block, sans-serif letters are printed at the top of the bookplate. Below the text is gothic font in sentence case with a thin blue line framing it atop and below. In the center of the bookplate is an image of a right hand reaching out of a cloud to pour oil into an oil lamp with the flame burning. The lamp is elaborately decorated with floral and curlicue embellishments. The lamp sits atop a closed book with the spine facing out. The cloud extends behind the lamp and book as well. A thin blue line separates the image from sentence-case serif font and another thin blue line is below that text. Below the line is thin italicized font and a dotted line. At the bottom of the bookplate is a thin blue line directly above some smaller, sentence-case serif blue font. 187. [Bookplate for K. H. Ingalls by Ralph Fletcher Seymour] A portrait bookplate with a multiple black fillet border surrounding the central images used in the bookplate. The bookplate has all 12 images of the zodiac held in small circles surrounding the periphery of the central image. At the top and bottom left and right hand corners of the image are images of vines. Central to the bookplate is the image of a wicker chair held in the bottom left hand corner next to several books sitting on a reading table. The chair is facing a brick fireplace against the far wall above which are the word "BIDE-A-WHILE". In front of the fireplace is a bear skin rug. A highbacked wooden bench with three books on it sits off on the adjacent wall to the left of the image. A similar bench sits to the right of the fireplace. A clock and several other knickknacks sit on the mantelpiece above the fireplace. 188. [Bookplate for Karl Hermann and Michael B. Kunze] In black ink on white coated paper, an image of a farmer's field. A farmer strolls away from the observer spreading seed from a side-bag. In the distance is what appears to be a town and a church steeple which is framed by radiating sunlight. In the sky above is a bird, possibly a dove. To the right of the field is a road lined with narrow trees and farmhouse situated at the base of a hill, on which possibly sits a castle. In the foreground is a piece of farming equipment and foliage frames the german expression "Und Erliches fiel aut ein gutes Land". The entire image is framed by a shaded border, rounded at the top. 189. [Bookplate for Kennedy McIlwraith] Black ink on white paper. The image depicts the main entrance to University College at the University of Toronto. 190. [Bookplate for Kevin Michael Grace by Lou DuHamel] This bookplate has been created with black ink on white paper. The image featured is Odilon Redon's Il y eut aussi des êtres embryonnaires [There were also embryonic beings] (fourth in the series Hommage à Goya [Hommage to Goya] 1885) from The Graphic Works of Odilon Redon: 209 Lithographs, Etchings, and Engravings (New York: Dover Publications, 1969). 191. [Bookplate for Kevin Michael Grace by Lou DuHamel] This bookplate has been created with black ink on white paper. The image featured is Odilon Redon's Un fou dans un morne paysage [A madman in a dismal landscape] (third in the series Hommage à Goya [Hommage to Goya] 1885) from The Graphic Works of Odilon Redon: 209 Lithographs, Etchings, and Engravings (New York: Dover Publications, 1969). 192. [Bookplate for Kevin Michael Grace by Lou DuHamel] This bookplate has been created with black ink on white paper. The image featured is Odilon Redon's Araignée [Spider] (1887) from The Graphic Works of Odilon Redon: 209 Lithographs, Etchings, and Engravings (New York: Dover Publications, 1969). 193. [Bookplate for Kevin Michael Grace by Lou DuHamel] This bookplate has been created with black ink on white paper. The image featured is Odilon Redon's Un masque sonne le glas funèbre [A mask sounds the funeral knell] (third in the series A Edgar Poë [To Edgar Allen Poe) 1882) from The Graphic Works of Odilon Redon: 209 Lithographs, Etchings, and Engravings (New York: Dover Publications, 1969). 194. [Bookplate for Klara Weiss and J. E. Horvath] Black and dark pink ink on tan paper. On the bottom left corner of the image there is an open book with pink flowers that continue in to ocean waves receding in the background. 195. [Bookplate for L. Farkas and J. E. Horvath by K. J.] Line drawing done in black ink on tan paper. Two plant pots with thorny vines at the at bottom of the image, one is standing and one is laying down. The vine from the standing pot, a rose vine, extends to the upper edge where it forms a frame around an open book with the letters A B C and children toys. The middle of the drawing displays a book with a rosary and flowers behind it. The text starts above the flowers, continues between the book and the plant pots, ending under the plant pots. A small round seal with the initals RS is displayed at the bottom left corner of te bookplate. 196. [Bookplate for Leida Eerme and A. Lavdovsky by A. Lee] In black and yellow ink, image of abstract human figure reading a book. 197. [Bookplate for Leida Eerme and A. Lavdovsky by A. Lee] In green ink, image of four blooming flowers emerging from the ground, set on an arched background, with solid green border. 198. [Bookplate for Leida Eerme and A. Lavdovsky by A. Lee] In black and blue ink, an image of a butterfly in the centre, and a flower in the bottom right corner. Curving black lines border the four corners. Text is written vertically on the wings of the butterfly. 199. [Bookplate for Lewis Harcourt] There are several black fillets separating the top and bottom banners from the central and side images present on the bookplate. The sidebars of the bookplate have vines trailing down the die. The central image is an armorial. The image begins with a peacock symbolizing renewal or resurrection standing on top of a coronet on top of a closed helm facing dexter. The helm surmounts a shield leaning from the dexter chief to the sinister base. Both the helm and the shield are surrounded by mantling on either sides. The shield is a gules field with two bars of or. This bookplate belonged to Baron Lewis Harcourt of Nuneham who was an important administrator within the British government during the early decades of the 20th century. 200. [Bookplate for Lieve Van Kerkhove and Martin Jackson] In black ink, this pictorial contemporary bookplate consists of a nude female, seated in a wood boat which is too small relative to her size. The nude's knees are up, her legs spread open, and her feet and buttocks rest on the outer edges of the craft (only her left foot and left buttock are visible). Extending from inside the boat upwards into the air, and held by the nude's right hand, is a larger-than-life fountain pen. The nude's left arm descends behind her raised knee, and emerges from behind the left buttock as a hand holding the stem of a rose ; the hand and rose appearing somewhat disconnected from the rest of the body. Resting between her legs, seen as almost emerging from the pubic region, is a cat with upraised tail and paws which rest on the bow of the boat. Below the cat, on the port side of the boat is an image of a lyre. In the turbulent river which surrounds the boat, one can see additional rose blossoms floating on the surface of the water. In the background, there is an automobile crossing a stone bridge and a large stone church with steeples on the left. One can see a flock of birds flying above the church's western steeple. In the background on the right, one can see the church's cemetery. select all : clear all : add to favorites results 181-200 of 276 item(s)  page 10 of 14 : ( <<  1  2  3  4  5  6  7  8  9  10  >> ) :: previous : next
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